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1win bet is Madame Aubain’s grief was uncontrollable. At first she rebelled against God, thinking that he was unjust to have taken away her child—she who had never done anything wrong, and whose conscience was so pure! But no! she ought to have taken her South. Other doctors would have saved her. She accused herself, prayed to be able to join her child, and cried in the midst of her dreams. Of the latter, one more especially haunted her. Her husband, dressed like a sailor, had come back from a long voyage, and with tears in his eyes told her that he had received the order to take Virginia away. Then they both consulted about a hiding-place. And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation..

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🎮 All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. Nevertheless, he sought society; for on Sunday, when the ladies Rochefeuille, Monsieur de Houppeville and the new habitues, Onfroy, the chemist, Monsieur Varin and Captain Mathieu, dropped in for their game of cards, he struck the window-panes with his wings and made such a racket that it was impossible to talk.!

🏆 Her face was thin and her voice shrill. When she was twenty-five, she looked forty. After she had passed fifty, nobody could tell her age; erect and silent always, she resembled a wooden figure working automatically. “But has any man ever succeeded in doing it?”!

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